PAINTING WITH WORDS
I've always
equated writing with painting. Well, painting and magic but I'll get more into
that later.
You see, when I
taught my children about writing, we'd start out with a sketch: bare bones. Let
me show you.
The dog ran.
This gives you
basic information but it doesn't tell you much. So we'll add some color. In
this case, literally.
The brown dog ran.
Still we don't
have much information. So we add a little more color.
The brown dog ran
down the street
Hmmm. Let's just
cut to the chase.
The brown dog ran
down the empty street, pausing to sniff at each intersection before frantically
resuming his mad dash.
In my imagination,
I see this dog running between tall, grey buildings. Deep purple clouds skate
across a dusky sky that promises rain. But it wouldn't do to just tell you
that. I have to show you, to transfer the image in my mind to yours.
You see the goal
of each sentence is to paint a picture in your, the reader's, head. But it
doesn't stop there and this is where the magic is. I don't know about you, but
I'm curious about that dog now. Is he in search of someone? Is he lost? Was he
abandoned? What's his story? He's caught my attention. I care. It's my job, as a writer, to make you
care too.
So how do we do
that? Honestly, sometimes I do think it's part magic. How else do you describe
arranging words in such a way to cause you to fall in love with characters, to
react passionately to love a story, to grown with the hero's defeat and tear up
when he finally succeeds? With words you can transfer emotion, ideas, thoughts,
create realities. That's heavy stuff.
But how?
Oh come on, did
you think I was going to share my secrets with you? Just kidding. Kinda.
A lot of it is
falling in love with the characters long before a reader sees the first word,
and some of it before the first word is even typed. If I don't cry with my
characters, I don't expect my readers to. If I'm not passionately angry but
strangely intrigued by my villain, I don't expect any one else to be either.
This means creating characters that existed before a time the book begins.
When creating a
world, it must be real to me. How did they get there? What would their history
lessons by like? How do they pay for things? How are they governed? What do
they worship? Sometimes, there will only be a small mention, a tidbit here and
there, that makes it into the book. But these tidbits give an impression of a
complete world. A world with depth.
Tolkien did this
better than anyone I know. I read everything I could find on the love story
between Aragorn and Arwen because he hinted at a complex history between the
two of them, history that happened before the first book took place.
And then, it's
taking all that information, going back to the beginning and creating that
rough sketch.
She knelt before
the gravestone.
That's my rough
sketch sentence with one detail. I know the color of her hair, what's she's
wearing, and her emotional state. I can clearly see the surroundings and even
time of day and weather. I need to convey that to the reader, but I don't need
to put all that information in one sentence. What I will do is step by step,
sentence by sentence paint a picture with words that will lead the reader into
my world.
If I did this
right, you'll be able to see the rough sketch sentence parallels a rough sketch
plot. You start with bare bones, adding color, depth, drama, until the picture,
and story comes alive. It's painting with words and I do believe it's magic.
Thanks so much for blogging with me Shawna. I love your analogy for writing :) You can find Shawna on Twitter!
Shawna's latest book ALTERED DESTINY is available now from Carina Press and Amazon!
Here's the blurb:
Selia has run her family's tavern since she was fifteen and can hunt and fight the equal of any man. When she rescues a badly wounded man and nurses him back to health, she has no idea she's about to change not only her life, but also the destinies of two peoples...
The battered warrior is Svistra—a race of bloodthirsty savages determined to destroy her homeland. Or so the stories claim. Jaden reveals a different truth: how his ancestors were driven into the barren northern mountains. Now they are strong and war parties are pushing south wanting their land back.
The son of a Svistra Commander, Jaden is looking for a way to bring peace to both humans and Svistrans. He tries to ignore his growing passion for Selia, but when she is captured he has to decide what he would be willing to sacrifice to save the woman he loves...
7 comments:
Thank you for having me, Rachel. Ack that's what I get for writing a post late at night. There are so many typos. I apologize. ; )
i loved this post. a wonderful way to think about writing!
Sorry Shawna - I posted late and night too so probably didn't notice them!
Thank you, Beck!
No problem, Rachael. : ) I should have read it through one more time. And the reason you posted it late is because I sent it late...It's one of the tenets of a writer's life, staying up late to get things finished. ; )
Great post and I love the sound of
Altered Destiny. I'm off to find out more :)
I hope you like what you find, Lacey. Thank you for your comment!
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